The books in this series began as maquettes-early experiments for titles I hope to one day publish more formally. When the funds are available, I plan to bring these works to a wider audience. But somehow, through my ongoing dialogues with Yvon, they’ve become something else altogether: objects.

The act of making each one-one spread at a time, over and over-has become a kind of meditation on the work itself. It’s hard on the back, yes, but it brings me to a place of clarity and connection I wouldn’t reach otherwise. With every cover trimmed, image sequenced, and title drawn by hand, I find myself deepening my practice. 

The repetition isn’t just physical; it’s reflective. Each copy becomes a new reading, a new encounter with the same material.